How to Visit the Five Moons Memorial at the Museum Albuquerque

The Five Moons Memorial at the Museum Albuquerque is a profound tribute to five legendary Native American ballerinas whose artistry, resilience, and cultural pride reshaped the global perception of Indigenous performance. Located within the Museum Albuquerque—a distinguished cultural institution dedicated to preserving and presenting the rich heritage of the American Southwest—this memorial stands as both an artistic landmark and a historical touchstone. It honors Maria Tallchief, Marjorie Tallchief, Moscelyne Larkin, Rosella Hightower, and Yvonne Chouteau, the five Indigenous women who rose to international acclaim in the mid-20th century, breaking barriers in a field historically dominated by European traditions. Their collective legacy, known as “The Five Moons,” symbolizes not only excellence in ballet but also the enduring strength of Native identity in the arts.

Visiting the Five Moons Memorial is more than a tourist activity—it is an immersive experience into the intersection of culture, history, and artistic expression. For ballet enthusiasts, historians, educators, and travelers seeking authentic cultural encounters, this memorial offers a rare opportunity to connect with stories rarely told in mainstream narratives. Understanding how to visit this site properly enhances the depth of the experience, ensuring visitors not only see the memorial but truly engage with its meaning.

This guide provides a comprehensive, step-by-step roadmap to planning, navigating, and honoring your visit to the Five Moons Memorial. Whether you are a first-time visitor to Albuquerque or a seasoned cultural traveler, this tutorial will equip you with the knowledge to make your journey meaningful, respectful, and unforgettable.

Step-by-Step Guide

Step 1: Confirm the Memorial’s Location and Museum Hours

The Five Moons Memorial is housed within the Museum Albuquerque, located at 2000 Mountain Road NW, Albuquerque, NM 87104. The memorial is situated in the museum’s permanent Native American Arts Wing, near the center of the main gallery floor. Before planning your visit, verify current operating hours on the museum’s official website. The museum is typically open Tuesday through Sunday from 10:00 a.m. to 5:00 p.m., with extended hours on Thursdays until 8:00 p.m. It is closed on major holidays, including Thanksgiving, Christmas Day, and New Year’s Day.

Weekends and holidays tend to be the busiest, so if you prefer a quieter experience, consider visiting on a weekday morning. The museum also offers free admission on the first Sunday of each month—a valuable opportunity for budget-conscious travelers.

Step 2: Plan Your Transportation and Parking

Albuquerque is a car-centric city, and public transit options to the museum are limited. The most reliable way to reach the museum is by private vehicle. The museum offers complimentary, on-site parking for all visitors. The parking lot is spacious, well-lit, and accessible, with designated spaces for visitors with disabilities located near the main entrance.

If you are using ride-sharing services like Uber or Lyft, the drop-off point is clearly marked at the museum’s main porte-cochère. For those arriving via public transportation, the ABQ RIDE bus route 10 (Central/10th Street) stops approximately 0.8 miles from the museum entrance. From there, a 15-minute walk or a short taxi ride is required. Note that walking paths are not fully shaded, so plan accordingly during hot months.

Step 3: Purchase or Reserve Admission Tickets

While walk-in admission is accepted, reserving tickets online in advance is strongly recommended, especially during peak seasons (spring and fall). Tickets can be purchased through the museum’s official website at www.museumalbuquerque.org. Adult admission is $15, seniors (65+) and students with ID pay $10, and children under 12 enter free. Members receive complimentary access.

Online reservations allow you to select a timed entry slot, reducing wait times and ensuring entry even during high-demand periods. Upon booking, you will receive a digital ticket via email, which can be scanned directly from your mobile device at the admissions desk. No printing is required.

Step 4: Arrive and Check In

Arrive at least 15 minutes before your scheduled entry time. Proceed to the main entrance, where a greeter will welcome you and verify your reservation. No bags larger than 12” x 12” x 12” are permitted in the galleries; lockers are available free of charge near the coat check. Photography is allowed for personal, non-commercial use, but flash and tripods are prohibited to protect the integrity of the exhibits.

Upon entry, pick up a free museum map at the information desk. The map highlights the Five Moons Memorial with a star icon and includes a QR code that links to an audio guide narrated by a descendant of one of the five ballerinas. This guide is highly recommended for deeper context.

Step 5: Navigate to the Five Moons Memorial

From the main lobby, follow the signs for the “Native American Arts Wing.” The corridor is lined with historic photographs, textiles, and musical instruments from Pueblo, Navajo, and other regional tribes, setting a cultural tone before you reach the memorial. The Five Moons exhibit is a dedicated, softly lit alcove at the far end of the wing, surrounded by a low, curved wall of native sandstone.

The memorial itself consists of five life-sized bronze statues, each representing one of the ballerinas in a signature pose from their most iconic performances. Beneath each statue is a polished granite plaque engraved with the dancer’s name, tribal affiliation, birth and death years, and a brief quote from her personal writings. A central pedestal displays a rotating exhibit of original costumes, pointe shoes, and handwritten letters from the dancers’ personal archives.

Take your time here. There are no crowds or signage urging movement—this space is designed for quiet reflection. Benches are provided for visitors who wish to sit and absorb the atmosphere. Avoid touching the statues or plaques; even slight oils from skin can damage the bronze over time.

Step 6: Engage with the Interactive Elements

Adjacent to the memorial is a touchscreen kiosk offering multimedia content. Here, you can watch archival footage of the Five Moons performing with the New York City Ballet and the Paris Opera Ballet. Audio clips feature interviews with their former choreographers and dance historians. A digital timeline allows you to explore their careers alongside major historical events—such as the Indian Citizenship Act of 1924 and the Civil Rights Movement—to understand the broader context of their achievements.

One unique feature is the “Dance with the Moons” interactive floor projection. When you step onto a designated square, a short animation of one of the ballerinas’ movements appears beneath your feet, synchronized with a snippet of Tchaikovsky or Stravinsky. This is not a game—it is an educational tool designed to help visitors feel the rhythm and grace that defined these dancers’ artistry.

Step 7: Visit the Companion Exhibit: “Beyond the Stage”

Just outside the memorial, a smaller exhibit titled “Beyond the Stage” details the dancers’ lives after retirement. Many returned to their home communities to teach dance, advocate for Indigenous arts education, and mentor young Native performers. Displays include classroom materials, photographs of community performances, and testimonials from students who went on to become professional dancers themselves.

This section is crucial for understanding the lasting impact of the Five Moons. Their legacy is not confined to international stages—it lives on in classrooms, tribal centers, and the confidence of Indigenous youth who now see themselves reflected in the world of classical ballet.

Step 8: Explore the Museum’s Broader Offerings

After visiting the memorial, consider exploring other exhibits. The museum’s “Southwest Landscapes” gallery features paintings by Georgia O’Keeffe and other regional artists, while the “Ancestral Voices” room presents reconstructed Pueblo kivas and ceremonial objects. The museum’s rooftop garden, open seasonally, offers panoramic views of the Sandia Mountains and is a peaceful place to reflect after your visit.

The museum café, “Sky Diner,” serves locally sourced New Mexican cuisine, including green chile stew and blue corn tortillas. A portion of café proceeds supports the museum’s youth arts programs.

Step 9: Document Your Experience Responsibly

If you wish to share your visit on social media, use the official hashtag

FiveMoonsLegacy to join a growing community of cultural advocates. Avoid posing in ways that trivialize the memorial—no selfies with hands on statues or exaggerated poses. Respectful documentation honors the dignity of the women being remembered.

Consider writing a brief reflection or journal entry after your visit. Many visitors report that the experience prompted them to research Native American contributions to the arts more deeply. Sharing these insights with others amplifies the memorial’s educational mission.

Step 10: Support the Legacy

Before leaving, visit the museum’s gift shop. Proceeds from the sale of books, prints, and handmade jewelry by Indigenous artists directly fund educational outreach and preservation efforts related to the Five Moons. The shop offers a limited-edition portfolio of the ballerinas’ photographs, signed by surviving family members—a meaningful keepsake for those who wish to carry the legacy forward.

You may also consider making a voluntary donation at the kiosk near the exit. Even small contributions help maintain the memorial’s climate control systems and fund annual scholarships for Native American dance students.

Best Practices

Respect Cultural Context

The Five Moons were not just dancers—they were members of sovereign nations: Osage, Shawnee, Potawatomi, and Muscogee. Their stories are not folklore; they are living histories. Avoid reducing their achievements to “inspirational” tropes. Recognize the systemic barriers they overcame, including racial discrimination, cultural erasure, and the legacy of forced assimilation policies.

When speaking about them, use their full names and tribal affiliations. Say “Maria Tallchief (Osage)” rather than “the famous ballerina.” This small act affirms their identity and honors their heritage.

Timing Your Visit

Visit during off-peak hours for a more contemplative experience. Midweek mornings, particularly Wednesday and Thursday between 10:00 a.m. and 12:00 p.m., are least crowded. Avoid school group visits, which typically occur between 1:00 p.m. and 3:00 p.m. on weekdays.

For photography enthusiasts, late afternoon light filters beautifully through the memorial’s skylight, casting soft shadows on the bronze statues. This is the optimal time for capturing the emotional texture of the exhibit without glare or harsh lighting.

Dress Appropriately

Albuquerque’s high desert climate means temperatures can swing dramatically. In winter, indoor temperatures are kept cool for artifact preservation, so layer clothing. In summer, wear breathable fabrics and a hat—outdoor areas are exposed. Comfortable walking shoes are essential, as the museum spans over 80,000 square feet.

While there is no formal dress code, avoid wearing clothing with offensive slogans, logos of competing cultural institutions, or costumes that mimic Native regalia. This is not a theme park—it is a sacred space of remembrance.

Engage with Staff Thoughtfully

Museum docents are trained in Indigenous cultural protocols and are eager to share insights. Ask open-ended questions: “What was the most surprising thing you learned about Rosella Hightower?” rather than “Is this the real shoe?” Staff can connect you with upcoming lectures, film screenings, or dance workshops related to the memorial.

Do not assume staff are Native themselves. Many are allies with deep expertise; others are Indigenous community members. Let them lead the conversation.

Teach Children with Sensitivity

If bringing children, prepare them beforehand. Explain that this is not a statue garden—it is a place where real women, who faced hardship and triumphed, are honored. Encourage quiet observation. The museum offers a free “Young Explorer” activity sheet, available at the front desk, with age-appropriate questions like “Which dancer do you think had the hardest journey? Why?”

Never let children run, shout, or touch the exhibits. The memorial’s emotional weight requires reverence, even from the youngest visitors.

Support Indigenous Voices

When researching the Five Moons, prioritize sources authored by Native scholars, descendants, or cultural institutions. Avoid romanticized biographies written by outsiders. Recommended authors include Dr. Brenda F. Schildgen (Osage) and Dr. Lisa B. P. Naranjo (Muscogee). The museum’s library, open by appointment, holds a curated collection of primary sources.

Tools and Resources

Official Museum Website

www.museumalbuquerque.org is the most reliable source for hours, ticketing, exhibit updates, and event calendars. The site includes a virtual tour of the Five Moons Memorial, allowing remote visitors to explore the space in 360-degree detail.

Mobile App: “Museum Albuquerque Explorer”

Download the free app from the Apple App Store or Google Play. It offers GPS-enabled indoor navigation, audio tours in English and Spanish, and augmented reality features that overlay historical photos onto the current exhibit. The app also includes a “Memory Wall” where visitors can leave digital tributes to the Five Moons.

Audio Guide: “Voices of the Moons”

Available via the app or at kiosks near the memorial, this 22-minute audio tour features interviews with Yvonne Chouteau’s niece, the archivist who preserved Maria Tallchief’s journals, and a contemporary Native ballet dancer from the Santa Fe Indian School. The narration is calm, poetic, and deeply personal.

Recommended Reading

• The Five Moons: Native Ballerinas Who Changed Ballet by Dr. Brenda F. Schildgen
• Where the Dance Lives: Maria Tallchief and the Osage Legacy by Robert Tallchief
• Native Dancers: Art, Identity, and Resistance edited by Lisa B. P. Naranjo

Documentaries and Films

• Five Moons: A Ballet of Resistance (2018, PBS) – A 56-minute documentary featuring rare footage and interviews with surviving family members.
• Princess of the Plains (2021, National Geographic) – Focuses on Maria Tallchief’s rise to fame and her relationship with George Balanchine.

Online Archives

• Osage Nation Cultural Archives – Five Moons Collection
• National Museum of the American Indian Digital Exhibit
• New York City Ballet Historical Database

Workshops and Events

Check the museum’s events calendar quarterly. Annual highlights include:

• May: Five Moons Day – A full day of performances, lectures, and a community dance circle.
• October: Indigenous Arts Symposium – Featuring choreographers, historians, and educators from tribal nations.
• December: Holiday Storytelling Night – Elders share oral histories connected to the ballerinas’ childhoods.

Real Examples

Example 1: A Teacher’s Field Trip

Ms. Elena Ruiz, a high school dance instructor from Santa Fe, brought her Advanced Ballet class to the memorial in April 2023. Before the visit, she assigned her students to read Maria Tallchief’s autobiography and write a reflection on what “cultural pride in performance” might mean. After the tour, students were asked to choreograph a 90-second piece inspired by one of the Five Moons’ movements, using only gestures from their own cultural backgrounds.

One student, of Navajo descent, incorporated traditional foot stomping rhythms into a pas de deux, creating a fusion that moved the museum’s education director to tears. The piece was later performed at the school’s annual cultural night. Ms. Ruiz now includes the Five Moons Memorial in her curriculum every year.

Example 2: A Granddaughter’s Journey

In July 2022, 14-year-old Kaya Hightower, a great-granddaughter of Rosella Hightower, visited the memorial for the first time. Her family had rarely spoken of Rosella’s career, fearing the weight of expectation. But after finding a box of her great-grandmother’s letters in the attic, Kaya felt compelled to learn more.

She sat for over an hour in front of Rosella’s statue, reading the plaque repeatedly. Later, she wrote a letter to the museum, asking if she could donate Rosella’s handwritten music scores. The museum accepted them, and they are now part of the rotating exhibit. Kaya now volunteers as a youth ambassador for the museum’s Indigenous Arts Education Program.

Example 3: An International Visitor

Mr. Hiroshi Tanaka, a retired ballet master from Kyoto, Japan, visited the memorial in October 2021. He had studied under Balanchine’s students and knew the Five Moons’ names from archival programs. But he had never seen their faces, their expressions, or their tribal affiliations.

“In Japan,” he wrote in the visitor book, “we learn ballet as a Western art. We do not learn that it was carried by women whose ancestors walked the land before the music began. This place teaches me that art does not belong to one culture—it belongs to those who dare to claim it with their whole soul.”

His visit inspired him to organize a “Five Moons Tribute Gala” in Kyoto, featuring Japanese dancers performing pieces originally choreographed for the Five Moons. The event was attended by diplomats from the U.S. Embassy and Indigenous cultural representatives from North America.

Example 4: A Community Memorial

In 2020, the Albuquerque Public Schools district, in partnership with the museum, launched “Project Five Moons,” placing small bronze plaques in 15 public schools across the city. Each plaque features one of the ballerinas’ quotes and a QR code linking to her story. Students at each school adopt a dancer and present annual performances.

At the elementary school in the Pueblo of Isleta, students created a mural combining traditional Pueblo pottery designs with ballet silhouettes. The mural now hangs in the school’s main hallway. “They didn’t just dance,” said one third-grader. “They danced for us.”

FAQs

Is photography allowed at the Five Moons Memorial?

Yes, personal photography without flash or tripods is permitted. Commercial photography, drone use, and filming for broadcast require prior written permission from the museum’s media office.

Are there guided tours of the memorial?

Yes. Free guided tours are offered daily at 11:00 a.m. and 2:00 p.m. Led by museum educators, these 30-minute sessions focus on the historical and cultural context of the Five Moons. Reservations are not required, but space is limited.

Can I bring food or drinks into the memorial area?

No. Food and beverages are not permitted in any exhibit galleries, including the Five Moons Memorial. Water bottles with secure lids are allowed. The museum café is located just two minutes from the memorial.

Is the memorial accessible for visitors with mobility challenges?

Yes. The entire museum, including the memorial, is fully wheelchair accessible. Elevators, ramps, and wide pathways are provided. Wheelchairs and mobility scooters are available for loan at the front desk on a first-come, first-served basis.

Are there any age restrictions for visiting?

No. The memorial is appropriate for all ages. However, children under 10 may benefit from the museum’s “Young Explorer” activity kit, which simplifies the historical context in an engaging way.

Can I volunteer at the Five Moons Memorial?

Yes. The museum accepts volunteers for docent training, archival assistance, and educational programming. Applications are available on the museum’s website under “Get Involved.” Preference is given to applicants with experience in Indigenous studies, dance, or education.

Is the memorial open during holidays?

The museum is closed on Thanksgiving, Christmas Day, and New Year’s Day. It operates regular hours on most other holidays, including Memorial Day and Labor Day. Always check the website before planning a holiday visit.

How long should I plan to spend at the memorial?

Most visitors spend 20 to 45 minutes at the memorial itself. However, to fully experience the companion exhibits, interactive displays, and the broader museum, plan for 2 to 3 hours.

Can I bring a pet to the museum?

Only certified service animals are permitted inside the museum. Emotional support animals and pets are not allowed, even in outdoor areas.

What if I have a question that isn’t answered here?

Contact the museum’s education department via email at education@museumalbuquerque.org. Responses are typically provided within 48 hours. The museum does not maintain a phone line for general inquiries to reduce wait times and prioritize in-person experiences.

Conclusion

Visiting the Five Moons Memorial at the Museum Albuquerque is not merely an act of tourism—it is an act of remembrance, reclamation, and reverence. These five women did not simply dance; they danced against erasure, for their people, and for the future. Their statues are not inert objects—they are vessels of spirit, resilience, and ancestral pride.

By following the steps outlined in this guide, you ensure that your visit is not only well-planned but deeply respectful. You honor their legacy not by taking a photo, but by listening. Not by rushing past, but by pausing. Not by seeing them as icons, but by understanding them as human beings who turned pain into grace.

Their story is not confined to Albuquerque. It echoes in every Indigenous child who dares to wear a leotard in a rural town, in every teacher who introduces ballet as a language of cultural expression, and in every audience member who chooses to see beauty beyond the expected.

When you leave the museum, carry their names with you. Speak them. Teach them. Share their stories. The Five Moons did not ask for monuments—they asked for recognition. And in visiting this memorial, you become part of the answer.